Cindy Sherman/Untitled Film Stills
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A 4 page research paper that profiles Cindy Sherman's series of photographs Untitled Film Stills (1977-1980), which are regarded as a "hallmark of postmodernist art," for the manner in which they employ "mass-media codes and techniques of representation" in order to convey social comment on contemporary society (Blessing, 2002). In this series of 69 black-and-white photographs, Sherman herself posed in various situations and melodramatic guises that recall the stereotypical publicity stills used to advertise B-grade movies from the 1950s through the 1960s. Bibliography lists 7 sources.
Filename: khstills.rtf

Comparison of Magazine Pictures
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This 5 page paper considers two different photographic images from a women's beauty and fashion magazine. Using these images, the writer makes comparisons on style, content and association before reaching a conclusion on the way that we should interpret these images and the messages that they communicate.
Filename: TEphotog.wps

Consumerism and Art: Griffith Vs. Bozick
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A 5 page review of the art of Colwyn Griffith and Susan Bozic. This paper contends that these artist are targeting the consumerism that drives the modern world. Bibliography lists 6 sources.
Filename: PPartPhotoGriffithConsumption.rtf

Contemporary Photographers
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A 5 page paper which compares and contrasts the photography of Sergei Gitman and Isabelle Hayeur. Bibliography lists 2 sources.
Filename: RAphseey.rtf

David Bailey, Photographer
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A 3 page research paper that discusses the career and art of David Bailey, who is famous for his portraits of celebrities and high fashion. The writer describes several photos in detail. Bibliography lists 4 sources.
Filename: khdbaiph.rtf

David Bailey: Fashion Photographer
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A 9 page paper which examines the life and work of David Bailey. Bibliography lists 3 sources.
Filename: RAblypht.rtf

Designing A Photo Project
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A 6 page fantasy based on the design of a photographic on a theme started by Renaissance artist Franz Hals. The writer looks at Hals 'Laughing Cavalier' and fictitiously tracks changes to the subject through subsequent centuries for ideas for a modern photo shoot on the same subject. Discussed are Hals painting, Rembrandt's etchings, Nolde's woodcuts, and several photo techniques. Bibliography lists 2 sources.
Filename: Cnartfnt.wps

Diane Arbus And Annie Leibovitz: Comparing Photographic Style
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5 pages in length. The divergent styles of Diane Arbus and Annie Leibovitz address a culture that is constantly changing. Clearly, Arbus' so-called abnormal approach to photography was considered quite shocking during its time; however, the artist did not allow social dictates to mold her creativity, but rather gained even more motivation from the vast array of reactions she received. Leibovitz, while decidedly more mainstream in her style, still puts forth a message through her work that addresses the ongoing quest for gender equality. Bibliography lists 5 sources.
Filename: TLCarbus.wps

Diane Arbus/Identical Twins
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A 3 page formal analysis of a photo by Diane Arbus which is located at the Laurence Miller Gallery entitled "Identical Twins." New York photographer Diane Arbus (1923-1971) has been typically known by her depictions of "'freaks'--transvestites, dwarves, giants, circus performers and eccentrics" (Gross 1). However, as the photos on display at the Laurence Miller Gallery illustrate, Arbus was also adept at showing the underlying reality of more everyday images and ordinary people, and how this reality is often incongruent with the way that people are usually photographed. Referred to as "a Sylvia Plath with a camera," Arbus was adept at exploiting the "psychological trauma" of the people who posed for her photos (Gross 1). This point is illustrated by the discussed photo. Bibliography lists 2 sources.
Filename: khdarbus.rtf